Wednesday, 28 September 2016

Animatic Version 018 - Salty and Sweet

Today's theme.
Bitter/Salty and sweet.

Phil brought in sweet/salty popcorn for us to have whilst watching the latest 48 hours films. One of the students, Sean, asked me what my final film was about. His comment after my description. "Cool. Bitter sweet."

No: 18 version of my animatic is complete.

Next steps to take:
One more rough cut edit.
Research inspiration for 'money' shot; to create dramatic sequence of transformation
Cheat as many shots, to reduce workload.
Create Shot list
Schedule Live action filming
CG shots
Casting.

Opening mood. Sombre silhouette live action figure, shot against a green screen. Maya flowers/painted scene behind

Transformation 'money shot'






Judge Dredd 1995 - Art Department Assistant

So today marks the start of semester 1 year 2 for me and I met with this years MSc Animation and VFX cohort and had a fun doing a quick 'show and tell' of some of my industry experience, funny anecdotes and mistakes as Art Dept Assistant on Judge Dredd http://www.imdb.com/title/tt0113492/

I became adept at brewing tea shade  to the exact specification of brown on the art department 'tea' making paint chart...but to begin with was not so great at figuring out that gun drawings, created for prop mock ups, with "1/4 scale" written on were in fact full size.
After six hours at the photocopy enlargement shop, I arrived very late back at the studios, with massive polystyrene guns protruding from my 'open top convertible' 2CV.
My caffeine deprived hysterical boss screeched "Have you ever seen six foot ****ing hand guns?!!!"

Errm.... That would be a no.


Here's a quick snap shot of me taken on the Wild Turkey set; for the scenes filmed with Ian Dury; where I managed to get some experience in Mega City one, sticking fly posters and generally littering for fun.


Oh and here's the best part of the film. I managed to get the task of drawing the door and corridor that Judge Dredd kicks in.


Wednesday, 21 September 2016

A few more frames for THAW

A few more frames to go - just figuring out the final section within Act II and in the next few days will send the complete animatic to Phillip Vaughan for his critique and feedback on the next steps to take!




Tuesday, 6 September 2016

Concept/Storyboard frames for an Animatic

I'm in the middle of finishing my Animatic in Premiere...here's a couple concept/storyboard frames - using a Wacom Pro and Photoshop...
Just a few more frames left to complete!


Saturday, 3 September 2016

VFX in London and Animatic Frame grabs for THAW

After a very exciting trip to London to visit Double Negative, Framestore, Jellyfish, MPC and my personal favourite ILM - culminating in the Masters Show screening, including our Going Live project 'Toy Scandal' at the DCA, I am now back and putting together the middle section shots for my animatic for THAW.
As the visual style of the film is highly photographic incorporating vivid technicolour, live action and CGI, I've moved on from hand drawn storyboards to create quick concept art work, using images on line, Getty Images, clip art and photoshop from the following sources:
https://www.youtube.com/watch?v=R5l4MghKGEA&list=PLR6NkeqscAx1r2b3gn0xPJqqfAe7tIEYy&index=2

I can then use these images and compositions for the purposes of inspiration for the live action footage, when it comes to shooting my own original work later on in the process...

Here's a few exported frames to indicate colourscript, tone, lighting and how CGI will combine.
Next step is to finish off the frames for Act II and to include camera moves, directions and notation to show to Phillip Vaughan....



Friday, 19 August 2016

A warm summer evening and the Shawshank Redemption


A moment this week....

A warm summer evening courtyard and the sound of a soprano accompanied by a church organ, drifted and echoed around the buildings...
Reminded me of the iconic scene in the Shawshank Redemption and the sounds of Sull'aria Marriage of Figaro wafting over the speakers in the prison grounds...

Freedom.