Thursday, 23 March 2017

Final UV map

Iceman UV map using the bonus tool and then the view of the border edges, as shown in thick green lines in the perspective view.
I'll increase the scale of the head map, to give more resolution, but it's pretty much there!


Final paint weights and tree geometry


Finalising the paint weights on the legs and hips today...listening to Ceilidh music has also had an influence on the pose!
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Below is a quick snap shot render (not lit) of the tree; which was modelled using cylinders and then  the sculpt brush to create some additional bumps and quirks to the bark.
Tomorrow, I will clean up the tree mesh and create a bonus tool UV map and begin to put the scene together...and then spend some time with Sean to double check the render settings and refractions of the water shaders on the ice men...



Sunday, 19 March 2017

UV mapping using the bonus tool

Re-discovery of the Maya UV editing bonus tool!
This was a great way of creating quick border edges.
Not sure what happened at one point, but I managed to actually select and create two unwanted border edges, randomly on the shins. Took a while to find and select them, but once found, even though it wasn't possible to delete a border edge, I was able to shift select and choose the 'merge border edge' option...

I've put this checkered material on the model, so I can see how the UV map is laid out and scaled...


Thursday, 16 March 2017

UV mapping in Maya

Continuing UV mapping...
I've decided to make the seams run down the sides of the body and the under side of the arms...
Image below shows the UV editor interface and the shell selected both on the UV space and in the perspective model

UV optimise tool using a large brush size (yellow circle). Optimise tool evens out the map and removes distortion

Wednesday, 15 March 2017

UV mapping Maya

Iceman is ready with new geometry, rigged, weighted...
UV mapping now, using the UV editor, automatic mapping and then cutting the map to make sure that the seams are at the back...
This really reminds me of costume design and paper pattern making at Wimbledon School of Art...

Using the sew UV tool, with a brush size that will only select and incorporate the edges that I require to be sewn (if the brush size, indicated by the faint black circle in the image below, is too large it will cover a multitude of edges - and will attempt to sew them all together - and the result will be a mess.
Only the two edges of the arm - as highlighted by the orange line - will be sewn together. The last segment on the right show edges highlighted in red. These will be sewn together by click and drag select...


Using the unfold UV tool, to smooth out the map...I am using the space outside of the UV area to work on, and will move and scale the map accordingly, once done, and fit it all onto the UV area


Sunday, 12 March 2017

New knee geometry with weighted deformation in Maya

New knee geometry with weighted deformation

This low angle shot has given me an idea for one of the opening shots of the ice men...glimpses here and there, but we're not sure exactly what we're looking at to begin with


Saturday, 11 March 2017

Default paint weights - prior to re-influencing

New hip geometry - retopoligised with quad draw tool.
Default paint weights shown, prior to adjustments of the influences with the paint weight tool